Inheritance: makers. memory. myth. was accepted as part of the Alaska State Museum's Solo Exhibition Series, so after finishing at the Anchorage Museum this summer, it re-opened on December 7 in Juneau. I was able to travel there and help install the final tricky pieces, attend the opening with my family and conduct 2 youth workshops. It was so outstanding to see the work in a completely different venue, have a deeper understanding of the process and feel like there's a burnish on the work that comes from the privilege of installing it twice. There are 12 pieces in this body of work, one has sold and will be leaving the collection for its new home in Los Angeles.
I've only been to Juneau a handful of times, but never in the winter. These photos were taken at about 4:30 in the evening...not much different than Anchorage in terms of light this time of year, but for those of you at a lower latitude it might take some getting used to. The bright gallery was a welcome sight.
Some pieces were hung differently in this space.
Others were hung the same.
It still took several hands to install "River," which is 21 feet long.
I gave a talk and slide show on the evening of the opening about personal history, process and my cultural relationship to materials. I don't have a video of this, but I gave a recorded interview you can listen to here. You can also read a version on the Hand/Eye Magazine blog.
I'm excited to share news that the piece, "Descent," (below) was recently accepted into Fiber Art Now's Excellence in Fibers IV in the "Sculptural Works" category. The Anchorage Museum built the beautiful custom light table for it, featuring a diamond-shaped plexiglass window that fits perfectly below the sheer portions of the piece. The electrical cord is brilliantly hidden in the table leg.
Lastly, I led 2 fabulous (and hilarious) kid-filled workshops at the State Museum where we worked with old linens and inserted our own designs and embroideries into the existing handwork, making this old cloth 100% rescued and 100% our own. Their enthusiasm was over-the-top fun to be with.
My gratitude to the many, many people who came together and made this second exhibition and the pieces within it possible. I'm fully aware my work would not exist in this form without the generous donations of rescued or abandoned women's handwork. While the majority of the makers are Unknown and much of their work has gone uncelebrated, I love to think the hours they spent in the making way back when kept those mothers, aunts and grandmothers grounded and sane. I know it's done this for me.
This post is going out right before this exhibition wraps up on February 9, 2019. We'd love for it to come to a venue near you and the Anchorage Museum and I are diligently working on this.
One year ago on this blog:
Two years ago on this blog:
Three years ago on this blog:
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