I was recently contacted by the Gynocentric Art Gallery (The GAG, "A gallery that values the brain and cuts the bias") to write a companion essay for the online exhibition of Diana Weymar's recent textile-based work. The GAG is the project of Danielle Hogan, the founding director, who is currently presenting a talk about this project in Barcelona, Spain. My thanks to her for asking me to respond to Diana's work.
I've collaborated with these two women before in the exhibition "Every Fiber of My Being" at the Paul Robeson Gallery at the Arts Council of Princeton, and while I've never met either of them, I connect with their work and writing. Collaborating again felt like a series of streams converging before splitting apart again -- natural, intense, a churn of minerals and distance traveled all melding to create a brand new moment.
Excerpts of the essay are below, and you can read the full essay plus see Diana's exhibition here. I am always considering landscape in my own work and what someone recently described as "insistent work." The idea that the two are connected has been brewing for some time and this essay was an opportunity to grow some flesh on those bones. Diana's thoughts on land and insistence are featured in italics. It's like we were having a conversation face to face, but if we had, we'd have interrupted one another too many times.
Then of course, there'd have been the wine.
The Pull of the Needle:
Artist in Anchorage, Alaska, sometimes blogging about the collision of history, family & art, with the understanding that none exists without the other.