AMY MEISSNER
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Of course, no place like Nome.

11/12/2017

4 Comments

 
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I've lived in Alaska for 17 years, but I'd never been to Nome. With distances as vast as this state's, I haven't been many places, but hope to change that. First off, props to my husband's architecture firm who completed the Richard Foster Building in Nome last year. It houses the Carrie McLain Memorial Museum, the Kegoayah Kozga Public Library and the Katirvik Cultural Center -- three entities with individual histories and voices that united to create a space of beauty and heritage. We came to attend the grand re-opening, now that all the museum exhibits are fully installed. 

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Richard Foster Building, Nome Alaska. ECIAlaska Architects.

This structure, like others built on permafrost, is erected on stilts. Unlike other places in the world, stilts in the Arctic have little to do with one hundred-year flood plains and everything to do with drifting snow and -- more importantly -- the heat generated from the building itself, which will melt the permafrost beneath. 

Think about that for a bit, then consider the large-scale consequences. Of course, the most blatant destruction doesn't point fingers at single buildings, but, in part, to the actions of an entire world.
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Richard Foster Building, Nome Alaska. ECIAlaska Architects.
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Richard Foster Building, Nome Alaska. ECIAlaska Architects.
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To the left: the Bering Sea (Norton Sound). To the right: Downtown Nome
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Official signage.

Maybe Nome sounds familiar, but you aren't sure why. If I explain it's the official finish line to the 1,000-mile long  Iditarod sled dog race, this might jog your memory of its recent history, but the area's deeper culture spans thousands of years. If you study the map below, it begins to build a picture of Alaska that most people don't fully understand. What I've seen on some language maps referred to as "Eskimo" doesn't exist on this one. And what might seem like an empty, stark landscape is full of culture and tradition that resonates in the various arts practiced by its inhabitants, native and non native.

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The work of Alaskan artist, Sonja Kelliher-Combs, hangs prominently in the Katirvik Cultural Center's entryway, with additional work in the gathering room. Sonja grew up in Nome, but is now based in Anchorage. Her work is immediately identifiable and much desired; I feel even more of a pull to it now that I've been to the landscape of her childhood. (Please visit her website and body of work. Hers was some of the first Alaskan art I encountered 17 years ago at the Decker/Morris Gallery when I moved to Anchorage from Vancouver, Canada, and thought, "Hang on, this place might be ok").

Her work still punches me in the gut.


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Mixed media work by Sonja Kelliher-Combs in the Katirvik Cultural Center, Nome, Alaska.

I was so honored to bring my children to Nome, even if it was for a short time. I'm honored they have the privilege of growing up in Alaska, honored we get to live and work here, inspired by land, culture and an extreme, changing climate.

Children who come from this place will be forced to solve problems we can't yet imagine. Crossing cultural divides with grace and empathy is a major piece of their future. Understanding consequences is another. Taking risks is another part of the equation.

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Some of the largest storms in the world begin in the Bering Sea, but consider the origins of the greatest sea change.

If you think this post prods at a lot , you're correct. I'm thinking about all all of this, all the time.
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Reindeer, rabbit and beaver fur wall hanging, circa 1910. Carrie McLain Memorial Museum, Nome, Alaska. Maker not identified.

One year ago on this blog.

Ice. (Because, Alaska).

Two years ago on this blog.

Splitting open the idea. (The brave seed to the Inheritance Project, which I continue to generate work for, and therefore blog less).

Three years ago on this blog.

A history of chaos. (And here's where I'll reveal my own #metoo, although the extent isn't divulged in this post, and feel I'll never do more than dance around what still has very little clarity for me. I understand so much about women's silence, and am grateful I had the choice and resources -- emotional and otherwise -- to simply slip away).

4 Comments
NAOMI BLOOM link
11/12/2017 07:23:52 pm

"Children who come from this place will be forced to solve problems we can't yet imagine. Crossing cultural divides with grace and empathy is a major piece of their future. Understanding consequences is another. Taking risks is another part of the equation."
How fortunate for them. Amy, another time I believe we might be in conversation. Moments ago spouse and I talking about lovely 3 grandchildren here in Portland,Or. too insulated from challenges that will be ahead. While granddaughter in New York moves in a more diverse world in school & community. You remind me that it would be good idea to return to more frequent blogging. yours, naomi

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Amy Meissner link
11/13/2017 05:44:29 am

Naomi,
Thank you for taking the time to read and leave a comment. I'm sure the grandchildren on the west coast are having experiences the child on the east coast isn't, and both sets have an understanding of the urban landscape my children will have to navigate at some point. Sometimes I feel this is my disservice to them. As parents/grandparents, we can't do and/or be it all, all the time. At some point, I feel we have to tell ourselves we've done the best we can with the resources we have and the with personalities of the children in front of us. I hope you'll return to blogging more. I miss it and hope to get back into a rhythm as well. For now, I'm trying to go easy on myself with that, too.
XO
Amy

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Linda
11/15/2017 11:21:07 am

When I looked at the building my first thought was ‘why is it not on the ground’ Thank you for explaining that. It makes so much sense. The art is amazing. I will never get to travel to Alaska and so appreciate you sharing your experiences living there.

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Amy Meissner link
11/17/2017 08:53:52 am

Linda,
Thank you so much for taking the time to read the post and respond! I'll keep posting about Alaska because, like you, most folks will never make it this far north. If you are interested in learning more, you can check out the blog sidebar category "Alaska" (http://www.amymeissner.com/blog/category/alaska...then scroll down past the Nome post for more) or "beach work" (http://www.amymeissner.com/blog/category/beach-work) and read about some other adventures!
XO
Amy

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    Amy Meissner, textile artist. Photo credit Brian Adams, 2013. www.amymeissner.com

    Amy Meissner

    Artist in Anchorage, Alaska, sometimes blogging about the collision of history, family & art, with the understanding that none exists without the other.

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