The serious business of showing, part 2.

A few months ago I commandeered my dining room table and assembled a matrix of photocopied show prospectuses, post it notes, paperclips, Sharpies and disgusting felines. Perhaps some of you remember this post and were curious whether any of this effort proved to be fruitful. If so, read on. If you think I'm a gross cat owner and could care less, that's totally fine, too. Just know that it's the cats who are gross, not me. I come fully armed with disinfectant spray.

As of last week, I've applied for 9 juried exhibitions, 2 grants and submitted images to 2 magazines. I still plan to apply for 4 more shows (some deadlines are a ways out) and another project grant (maybe).

So, I heard somewhere that if rejection hurts, you just aren't getting rejected enough and need to submit more work. Callouses are a direct response to irritation, and all that. So, this was my personal experiment. I've never applied this widely, mainly because I've never had the body of work to do so. Would I actually grow a thicker skin if I put myself out there more? 

Yes, but probably only because I had some successes:
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"Girl Story #3, " (26" x 26") Vintage domestic linens, cotton velvet, wool, found objects. Machine pieced, hand embroidered, hand quilted, 2015.

"Girl Story," (22.5" x 37.5" ) Vintage domestic linens, ink. Hand embroidered, hand quilted, 2014.

These two ladies from the Girl Story Series are going to the Kent State University Museum for the Focus: Fiber 2016 National Contemporary Fiber Art Show (Feb. 12, 2016 - July 3, 2016). Anyone going to be in Ohio this spring? I'd seriously love some photos of this exhibition. This museum features one of the largest collections of historic costumes in the US, totaling more than 40,000 pieces. Forget about the textile art, the clothing designer in me wants to snap on the white cotton gloves and flip all that stored vintage couture inside out and check out the seams. There is a lot of history behind the work I'm sending as well, and I'm thrilled it's heading into the world. The first Girl Story traveled within Alaska last year and won a juror's merit award at the All-Alaska XXXV  juried show.

Pssst ... maybe she's one of those girls who, you know, gets around. 

"Reliquary #3: Catch" (25.75" x 25.75") Vintage domestic linens, silk organza, wool, unfinished embroideries & quilt, found object. Machine pieced, hand embroidered & quilted, 2015.

This reliquary is on exhibit at the Barrett Art Center in Poughkeepsie, NY at the New Directions 2015 Contemporary Art Exhibition until October 31, 2015. Janet Bishop from the San Francisco MoMA was the juror. Again, with the photos. Anyone? I'm in Alaska. I won't make it to upstate New York for this one, 

​or this one:
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"Reliquary #1: Accumulation" (39.5” x 49.25”) Vintage domestic linens & drapery, wool, cotton, silk charmeuse & organza mesh, found objects, clothing. Machine pieced, hand embroidered & appliquéd, hand quilted, 2014.

Quilts=Art=Quilts at the Schweinfurth Memorial Art Center opens on Oct. 31, 2015 and runs until Jan. 3 2016. This piece will be there, teeth and all (also a piece with a ton of history behind it).

I won't list the galleries and exhibitions that rejected me, but know that so far there are 3 and I immediately submitted elsewhere, like, the day I received the rejection. I'm delivering one piece for a 2nd round of in-person jurying (it still could get cut, of course), and waiting for rejection/invitations to come this month and next. Are those dates on my calendar? Yes. Am I bummed when museums and galleries don't contact artists on those scheduled dates? Yes. I can't help it. I meet my deadlines and assume that's the way the rest of the world should work, too.

And the magazines? More on that later.
​Grants? Hope so. It's expensive to submit and ship art.

Also, I've kept my News page up to date, because it feels good, dammit.

​Meanwhile, back to the grind.
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